The original quilter tried, she really did. The pattern is interesting, the fabric is high quality, the colors are beautiful. But, she struggled with the piecing and assembly and eventually gave up.
Sparkle Jane saw potential. She fixed what she could of the piecing, while honoring the effort of the original maker. And assembled the top.
There was plenty of fabric, so she added a triple border–a narrow inner border, a lovely piano key center, and a wider outer border.
Extra fabric was used to make more “piano key” style pieces to stretch the back.
I am certain the original maker would be pleased with the results. YAY for the quilt rescuer!
I found this interesting object in a thrift store for 69-cents. Too darling to leave behind.
So it came home with me. To become a pincushion.
First try went…badly. What was I thinking?! Wrong shape. Wrong size.
Second try, however, turned into this!
I am pretty sure I could make a pincushion every week for a year and not get tired of it. Which is funny, because I really don’t use pincushions much. I have a metal magnetic tray.
On a Saturday Sparkle Jane said, “Mom, I want to make him a quilt.”
“Well,” I said, “There are these Pendleton shirts…”
The quilt was planned, sorted, cut, piecing started…
Tuesday night, Sparkle Jane was assembling. There was no fabric suitable for a back here and the quilt shops were all closed. While she kept stitching, I left for Joanns, two towns away. The store closes at 9pm. I got there about 8:15pm. She was going to have to trust me.
Find the fabric. Get the fabric. Head home.
The backing was pronounced, not just acceptable, but perfect! WHEW!
She pieced and pinned. The next day, Wednesday, I had quilting time scheduled.
And it was a quilt!
Considering that the quilt is 84″ x 90″, that is near record time for us…it is a Christmas present that will be opened for New Years.
Those damaged Pendleton shirts are finally turning into something.
Sparkle Jane wanted to make him a quilt. We designed. I cut. She stitched. Top finished last night. Whew!
More details and pictures coming.
The past several days brought the Vintage Applique Butterfly quilt started by my Great-grandmother, Mina Opal, to a completed top.
As I picked apart the previous setting, I noticed that there were 6 blocks where the butterflies were straight on the block and 48 blocks where they were angled. Considering the care and attention to detail in the work generally, I was certain that was not an accident. But, why?
Research revealed that that there is a layout for 54 blocks that has a six block center–a medallion!
After that the process went relatively quickly. I created a six block medallion and surrounded it with three part sashing, placing a nine-patch in the corners. Most quilts in this style used either a single wide piece of sashing or additional background material, but I liked this look. Around and around we go!
Three layers plus a wide outer border of muslin as close as I could get to that in the background of the blocks. It is lighter, but the texture is right and I think after quilting it won’t be too obvious.
I am preparing to scallop that outer border when it gets back from the quilter and marked a rough draft version to guide her work. Yes, this quilt is being sent out. It deserves the best, so I am giving it that chance.
Won’t my mother be surprised when she sees it again!
This year is the year–of Vintage Projects.
Recently, my mother surrendered two quilts started by HER grandmother, Mina Opal, (my Great-grandmother) in the 1930-40s. Today we will take a look at the first one.
Mina Opal created 53 applique butterfly blocks. My mother added one. She then added sashing and started to build a top (early-to-mid 1980s). But she was unhappy with the results and put the whole project away for about 35 years.
ASIDE: Now that I think about it, my mother quit on the quilt about the time Mina Opal became ill and died (1987). Hmm…I wonder if that had something to do with it?
Anyway, when it came to me I asked if there were restrictions on what I could do, because “It won’t look the same when I bring it back.”
With my mother’s (blind-faith) blessing, I have gone to work. First, pick the entire top apart. It took days.
Clean up and iron each block. This was a tedious but useful process. It helped me to see the work more closely and to better appreciate the skill and care Mina Opal and my mother, Verna, put into the quilt. It also gave me clues as to the possible original intent.
It also gave me a reason to AGAIN use my new lint roller. WHO KNEW one would be so useful?! I don’t know how I did without one this long.
I chose the largest possible size (9″) for the blocks and squared up. This step was the hardest emotionally so far. Cutting 80 year old fabric…arrgh! What if I make a mistake? But, I went slowly and only did a few blocks at a time. And double-checked. A lot.
Time for design decisions….Coming soon!
While my time spent working on the longarm machine I rent is normally smooth and pleasant due to the assistance and maintenance of the owner, it was not so with this quilt. The thread kept breaking for reasons unknown. Just one of those days.
But, patience and persistence prevailed and it was finished in the end.
I am really pleased with the freemotion work in the background,
less so with the work in the star itself. I just don’t have good control yet on my points.
I hope the original maker could be pleased with the results. They probably aren’t what she had in mind, but we can all relate to the feeling of knowing that our efforts weren’t in vain.
It goes into the giveaway pile waiting for the “just right” home to come along.